The grape variety is a cross between Sauvignon Blanc and another non-grape fruit, Pollia Condensata, commonly called the Marble Berry.
Back in 2008, Conjectural Technologies’ lead scientist, Professor Corey Irwin was looking at the reflectivity of wine grapes when he accidentally included a sample of the tropical plant in his magnetic resonance cylcotron.
“Frankly,” says Professor Corey, “They were part of a table arrangement in my office that caught in the sleeve of my lab coat. I didn’t notice them because the berries are tiny and the colour is so strong that they don’t actually look like real fruit, more like crazy ball-bearings.”
But the results from the test showed otherwise, and the fruit’s surface reflects nearly 50% of the light that hits it–vitis vinifera grapes reflect between one and two percent–due to the surface composition of the skin. “It’s as though the fruit is composed of nothing but tiny little mirrors, all over it!” explains the Professor.
Sensing the potential for a revolution in the appearance of wine, the team at Conjectural Technologies launched into a genetic cross-breeding program, using Crispr-Cas 9 genome editing technology. With CRISPR (Clustered Regularly Interspaced Short Palindromic Repeats) “spacer” sequences are transcribed into short RNA sequences capable of guiding the system to matching sequences of DNA. When the target DNA is found, Cas9 binds to the DNA and cuts it, activating the targeted gene.
Chief Disruption Officer and Lead winemaker at TVCC-Kitworld, Tim Vandergrift is delighted with the results.
“This is a real game changer. For thousands of years wine has been red, white or pink. Well, brown too, if you forget and leave the top of the fermenter open. But now we have the ability to change its colour, not with dyes or pigments, but with the harnessed power of quantum physics and Genetically Modified Organisms!. By using gene editing and forcing together the sequences of pollia with Sauvignon Blanc and certain key sequences of hagfish and African land snails we were able to produce a grape that not only reflects more light, but has the viscosity to hold the reflectivity in suspension, so it doesn’t just fall out during fining, or settle on the bottom of the glass.”
Vandergrift admits that the wine is slightly different from standard grape wines, including a textural change. “The hagfish and snail genes are there to provide a colloidal gel that keeps the reflective particles from binding to anything else. It does make the wine viscous, but it’s not too gooey–it has exactly the same viscosity as transmission fluid, and once you get used to it, it’s really nice.”
The new wine, tentatively called ‘Quantum White’ will be available for commercial release on April 1, 2019. Expect it to be in high demand, as in addition to providing a pleasing flavour and aroma, it is expected to be an excellent substitute for Dexron III transmission fluid.
The Further Adventures of Attention-Surplus-Disorder Man
If you read my blog for a while you’ll come to understand that I have a pretty serious problem getting fixated on projects, whether it’s brewing, winemaking, cheese, marksmanship, motorcycles, gardening, powerlifting, whatever. It’s gotten particularly bad in recent years with brewing beer: when I find out about a new style or a beer I’ve never heard of, I have to research it and make it until I feel like I have a grasp of it.
With that in mind, I was watching a travel show and the host hit a cafe in Northern Vietnam and sat around drinking something called Bia hơi. At first blush, it looks like a light industrial lager, common in hot countries. But then they poured it over ice and my ears perked up.
It turns out this stuff is a sort of jackleg homebrew, brewed quickly and matured almost not at all, and delivered daily to bars and street-corner dispensing spots in jerry cans and kegs. Production is described as ‘informal’, with no government oversight or monitoring, and it’s meant to be drank absolutely ice cold, or even over ice, and the alcohol content is 3% ABV or less.
All of this makes perfect sense in Vietnam, which is not only incredibly hot but also terribly humid. You could drink rather a lot of beer like this and stay hydrated and refreshed without actually getting blotto, with the added bonus that it sells for something like 15 cents a glass.
After a bit of research on the interwebs, I asked around for people who’d actually been to Vietnam and tasted the beer. I lucked out in that a friend of mine who is a very discerning BJCP judge had been there a few years ago, and he was willing to share his opinion.
“Undrinkable swill full of acetaldehyde, sourness and mostly off-flavours. You’re an idiot if you want to make that.”
I get it: when you’re charging less than a buck a gallon for your beer, Quality Control is way down the list and you can’t throw a batch away just because it’s off–look, there’s a surly tourist, he’ll drink anything, get the bucket! It’s inevitable that the quality would be variable. I wanted to make my own, and I was pretty sure I could do a little better. It would have to be more expensive than fifteen cents a glass, but honestly, not that much more.
I flat-out pulled a recipe out of my butt. I chose to emulate a rice-adjunct lager with a starting gravity below 1.030 and hops around 15 IBU. I immediately ran into an issue: in order to get a moderate hop character I was going to have to either alter my regular brewing style (more on that below) or substantially decrease the amount of hops in the recipe: hop utilisation is affected by the density of the wort (yes, it’s lots more complicated, please don’t write me screeds about it) and a really low gravity beer like this is hard to make without over-bittering for style.
Another issue I contemplated was volume: if this stuff was good, and as low in alcohol as I was planning, I was probably going to enjoy more than one glass a night–it might replace most of my water intake. Making a single 19-litre keg would have me out of beer in ten days at most, and if it was really good, I would then become despondent until my next batch was ready. It’s summer here at Chaos manor, and it’s pretty warm for Canada.
The answer to both quandries lay in the techniques of industrial brewing: high gravity. The beer we mostly see advertised on television is Industrial Lager. Megabreweries make a batch of beer at very high gravities (usually over 1.070 to start), finish fermenting, and then add water to hit their target alcohol content. It’s actually a very intelligent use of resources: you can ferment twice as much beer with the same amount of tanks. This sort of efficiency makes accountants very happy, and it’s not that far off of the parti-gyle brewing systems of olden times. My plan was to brew a 30 litre batch of beer at high gravity and water it back to two batches of 19 litres, then ferment each separately with a different yeast. Not only could I brew a lot of beer quickly, I could use the higher gravity wort to moderate hop utilisation. Or so was my plan . . . I whipped out Beersmith and loaded my Grainfather profile.
If you’ve never used one, it’s an all-in-one mash/lauter/boil unit with a recirculating pump. I’ve had literally every system there is and I like this one because I can brew from home, in my kitchen, while I work at other things. It’s Bluetooth controlled, programmable for step mashes and has timers and such. It’s really pretty amazing.
Sadly, for what I wanted to do the Beersmith profile was a bit crap, so I back-of-the-enveloped it. I figured in Imperial units eight pounds of Pilsner malt, one pound of 10L Crystal malt, two pounds of rice, and two ounces of first wort hops and two ounces for a 20-minute whirlpool, to make around 5.5 gallons of finished wort to be watered back into two four-gallon batches to fill two kegs. If I wasn’t too screwy and my efficiency was low but okay, I should get an OG of 1.025-ish at pitching and get 22.-2.5% ABV and 15-ish IBU’s.
But there were a lot of departures in my plan. Most recipes would use flaked rice, but I wanted to do a cereal mash. That is, I wanted to take plain white rice and cook it to mush, and add that to my grain mash. Why? That’s the way the macro brewers do it, and I had planned on doing a three-step mash for maximum fermentability: 122 F then to 134 F and then to 149, using the boiling rice mush to drive temp to final mash.
You can see, I don’t like the easy way.
Onward to brew day. First step was to cook the rice. I got up early and put the rice on in a huge pot with three gallons of water on low.
You have to be really careful wih this step: it’s very easy to scorch starch as it breaks down to moosh. Even the faintest hint of burnt character will completely ruin the beer, so you need way more water than you think you do, and you need to keep it low and slow, and stir frequently, and it’s going to take much, much longer than you think. I started the rice at 8 am and it was just ready for the pot by noon.
As it cooked I milled my grains.
I have a three-roller Monster Mill and I can’t recommend it enough. Mine is set to 40 thousandths and it’s perfect as can be.
Next step was to set up my Grainfather. With my system, as with everything I do, I did not leave it unmodified. My first step was to throw away the trub/hop filter: it’s useless. In its place I put a Titan false bottom.
Not only does this catch goo better than the GF screen, it also has almost no dead space underneath–less than two cups of liquid escapes the pickup on the bottom. The build-up of hops makes the screen tighter and more efficient and the wort coming out is super-clear.
But you can’t use the grain basket from the GF with the false bottom in place unless you use some serious spacers. But, I had a different mod: a bag.
Yes, my Grainfather is now a Brew In A Bag False Bottom HERMS unit, running off of an Android phone over Bluetooth. 14-year-old me, with an old canning pot and a clapped-out electric stove would be awestruck and envious. (He’d also look at the size of me and ask, “Dude, just how much beer do you drink?”)
To make a long story short, I did my usual short and shoddy brewing methods: I doughed in at 122F, immediately ramped to 134 for twenty minutes, and then added my boiling rice goo to drive everything to 149. I mashed for 30 minutes–I usually do 20 because efficiency is for drones from Sector 7G, but I wanted to clear all of the rice starch. An Iodine test at 20 minutes was clear, so the extra ten was for luck, mostly. I did a bag sparge in another bucket with around 15 litres of water at 170F and topped the GF up and tossed in my first charge of hops as it heated to the boil.
After 20 minutes of vigorous boiling I shut off the, popped on the lid, threw on the heat exchanger and started cooling the wort, recirculating it back into the Grainfather.
When it got below 180F I tossed in the rest of the hops, shut off water to the chiller and left it to recirculate for 20 minutes. Then It was time to run it off to the primaries.
I took a gravity reading of the wort straight from the chiller.
I split it into two fermenters, yielding a little under three gallons each, and then topped up with treated water to 5.5 gallons. I treat it by adding metabisulphite powder to plain old tapwater, to bind out any chlorine that my municipality may have added. I have brilliant water–some of the best in the world, and it doesn’t need another thing. After it was topped up I noticed how much protein break I got. Good stuff!
When it was divvied up I took it to my fermentation chamber, aka the second bathroom. I forgot to take a picture of the SG reading of the watered back batches, but it was 1.028
One of the beers I hit with US-05, and the other I chilled with my groundwater again, by virtue of letting the shower hose dribble into a bucket containing the fermenter run very slowly, getting it down to 62 F overnight, after which I pitched it with Safeale S-189.
Fermentation was vigorous in both, and completed after ten days.
I let the beers settle and racked them to kegs. I stoppped to take an SG reading and it was corrected to 1.004 This makes a start-finish difference of 18 points. Multiply that by the ABV conversion number and you get 2.36, just under 2.5% ABV, good enough for my purposes.
After they had both chilled to 38F I burst carbonated them and let them carb under pressure for a few days, then tasted them, and shared with some friends. How was it?
The lager version is better than the US05, but only subtly so: both beers are incredibly light, have just enough hops to balance the grain character and the crystal malt fights the carbonic acid with great precision.
I drank most of a keg in two weeks, pretty much a record for me. It’s like fabulous Gatorade, refreshing and deliciously beery, and yet the alcohol is so low I can have a pint with my lunch and continue working.
I’ve always disdained macrobrew lagers. They have all kinds of off flavours and aromas and don’t satisfy me in any way. This is different: it’s beer-flavoured beer, and hits the spot without overwhelming. I dare say it’d be easy to screw up, because the style is so light that it would show flaws instantly. But when it works, it’s really great beer. And that is the beauty of homebrewing: I can do whatever I want
Next up, I’m going to make a Belgian Kinderbier, a dark ale at 2% ABV that should have enough roast and caramel to make it richer and more interesting, while still being suitable for lunching.
If you’re looking for the best beer delivery Pimlico London has to offer, check out Booze-Up. A great 24/7 alcohol delivery company that can bring your any alcoholic beverage you want anytime, anyday!
Hey, if you’re in Vanbrewers and were at the June meeting you may have tried an early version of this recipe without the 10L crystal and with different yeast. That stuff was okay, but this is the bomb, I swear. There won’t be any of this to share at future meetings though, until I work out a brewing schedule that can compensate for me drinking a whole keg every two weeks.
After initial hostilities and threats to my person, traditional mead makers seem to have accepted my presence in their midst, and I have come to see the interplay of their dominance battles within the tribe and the constant quest for honey and authenticity with the detachment of a rational anthropologist. I can only hope to retain the trust of these gentle, beautiful creatures in the future.
It’s held in Vancouver Washington, which is immediately north of Portland Oregon, where most of the brewing clubs and a lot of the brewing action in the Pacific Northwest happens.
Why hold it in Washington if Portland is so darn awesome? Money: doing it in Portland would probably double costs as with popularity comes great price tags. Still, although Vancouver is a tiny little burg it’s not a bad place at all. Best of all it’s only about a 5-1/2 hour drive from Chaos Manor, just over the border from Washington in Canada. With a car full of jockey boxes, CO2 apparatus, kegs and bottles, I wedged a suitcase and a spouse in there for the journey.
Portland is not without its charms, and I killed a couple of days hitting Voodoo donuts, parks, museums and shopping. I was also lucky enough to have time for my friends Emily and JT, a delightful couple of Oregonians who not only make great beer, but are also cool in many other ways. That’s pretty much the best part of working in the industry I’m in: you meet so many wonderful, gracious and lovely people, and long after businesses are gone and deals are done, they’re the ones you remember.
Eventually I had to put the beer down and go to work. The seminar was a success, with a couple of dozen folks listening to my lecture (you can check out a copy of my presentation here), enjoying Ancient Fire Mead and my own creations. Everyone agreed that Ancient Fire‘s meads (generously donated, if you recall, by Jason and Margot Phelps) were superior examples of the craft, while my bone-standard traditional mead was (generously) described as ‘icky’.
The Barkshack was very well-received, with some participants asking for thirds, a very gratifying circumstance. I had a lot of really great questions from the crowd, who were keen to make their own mead, authentic and drinkable. While I’m only a winemaker trying to understand all kind of fermentation, I hope my message that mead–heck, any fermented beverage, for that matter–doesn’t exist in a vacuum on it’s own, but needs to be seen as part of the family of fermented drinks that we can all share, whether it’s dandelion wine, Russian Imperial Stout, or Cabernet Sauvignon. Tradition is great, because it teaches us where we come from and how we got to where we are, but it’s innovation and sharing ideas that will take us where we’re going next.
After the lecture was done, it was time for club night. If you’ve never been to a brewing conference club night, you’re really missing out. If you’ve been to the one at BrewCon (I was there the last time it was in San Diego) it’s a glorious riot of beer craziness. PNWHC club night is smaller, but they go all-out crazy with beautifully decorated booth, some of which are more like small brewpubs than little club gatherings.
Our own booth was a bit more modest, as it was me straddling the fence for the Tri-Cities Brewing Club and for Vanbrewers, along with Alvaro and Nathaniel. We’d like to make a big show of it, but with the US exchange rate and transportation costs all of us were combining it with business trips or vacation time. We were up 50% in attendance year-over-year, a trend we hope will continue.
We were pouring Nathaniel’s Vickie’s Smoked Porter, a really solid porter made with Miss Vickie’s smoked potato chips, Alvaro’s Pisco Sour (I think it was a Saison base, but boy howdy was it delicious) as well as his new world Pilsner with modern German hop varieties, as well as my Barkshack Ginger mead.
My own prediction was that while the blockbuster Imperials and Double IPA’s were going to be early favorites with the crowd, the mead, balanced to off-dry, fruity and refreshing, would get more popular as the night progressed.
Turns out I was right. By the end of the evening most of my keg was gone, with the folks enjoying it coming back for fourths and fifths (not to worry: everything took place in the hotel and nobody was driving anywhere, and there wasn’t anyone overserved–lots of little samples instead).
Two very welcome visitors were Denny Conn and Mike McDole, who both tried the Barkshack and appeared to enjoy it. Denny’s comment was that it was the first mead he’d tasted in years, and that he didn’t mind it was the highest praise I could have asked for.
After that it was all over but for the packing and tidying and tripping back up to Canada. I’d like to think I learned something on my mead journey, both from making it, teaching people about the history of fermented honey, and the fallout from a tiny minority of mead makers who really took offense at me approaching ‘their’ beverage with humor and cynicism.
People love what they love. And we beer geeks, wine dorks and mead maniacs love what we do so passionately that we’re willing to share both our brews and our knowledge with others, so they can catch the bug and make it a part of their lives–or at least so they can understand something we consider amazing and wonderful.
That’s a thing worth investing your time, your passion and your self-identity into. And I’ll drink to that.
Just as a candle cannot burn without fire, men cannot live without a spiritual life.
They say things never stay the same, and they’re right. I’ve made some recent changes in my life, and I’m eager to share them with you. After a long period of self-reflection I realized that my carefree days of spreading the word about making your own wine and brewing your own beer are just a phase I was going through, and those days and many others needed to end.
Accordingly, I’ve emptied out my barrels, taken all of my cases of wine to the dump, poured my kegs down the drain and had all of my brewing equipment crushed at a scrapyard, so it could never again be used to make alcohol.
In addition to this, I’ve discarded my unhealthy addiction to eating meat, and my entire diet is now Paleo-Vegan. Tofu tastes better than steak! I’ve also stopped using caffeine, and I’ve gotten all of the chemicals and GMO’s out of my house, because I don’t want to catch autism.
I’ve also gotten rid of all of my guns, my motorcycle, and my gardening tools–those pursuits are vanity, and gardens should grow wild, free of the hand of man.
My next steps? I’m going to a ashram to get tested for Gluten poisoning, and then I’m getting my vaccinations reversed. When that’s done, I’ll be a leaf on the wind, watch me soar!
I’ll also be converting this blog into an information centre for how you too can change your life, and I’ll be deleting all of my previous posts that deal with the vanity of the world and praising the eightfold path to righteousness all day long. I invite you to join me: discard all of your wine, beer, steaks, whisky, fancy toys and clothes and cars, and live simply, as nature intended. There is plenty of space here in my new home under the bridge.
I have two traits that cross over hard in my life. One is a love of DIY, particularly if it’s to do with food or beverages. I brew, make wine, cheese, sausage, pickles, smoke meat, make bacon, hunt, gather, garden and cook (a lot). The second trait is Attention Surplus Disorder. When a new idea comes my way, I am not constitutionally capable of leaving it alone.
I attended the Pacific Northwest Homebrewing Conference over Saint Patrick’s Day this year and had an absolutely rocking time. Seriously, it’s like a smaller, more intimate version of NHC. I was there to give a seminar, but also to attend a bunch of them. One that I was sad to have missed was one entitled ‘The New Technique of Non-Enzymatic Mashing’ by Aaron Hyde, Director or Homebrew for Briess Malting. It seemed like it might be a New Idea.
Fortunately, I was at the same table as him at lunch and got the gist of his hour-long seminar in five minutes. Note that this was my fault, and beer’s: the conference is pretty packed with tasting opportunities . . . if I’d taken more time to listen to him, or been smart enough to attend his lecture, I wouldn’t have made the mistakes which I’m going to chronicle below.
According to Dan Bies, Technical Services rep for Briess and the guy who seems to have first proposed it, N-E mashing is cold-soaking your grains in water either overnight at low temperature, or in a recirculation mash at low temp. When you do it right it
. . . gives the brewer the ability to capture color and flavor from specialty malts while limiting the extraction of complex carbohydrates (. . .) it provides refined malt components including aroma (flavor), color, FAN, smaller proteins (foam) and enzymes. What you don’t get are coarse starch binding structures including dextrines, beta glucans, and larger proteins (haze). It can be used in various applications including boosting color and flavor in big beers without the cloying and viscous effects of dextrins and beta glucans – thus, making a cleaner and dryer stout, strong ale, or big lager. NEM also creates great foam and mouthfeel in low alcohol beers and concentrates enzymes for high adjunct brews. Another benefit of this method, the spent grain from NEM can be used as an all grain adjunct to make a low color, estery beer, such as Belgian-Style Golden Ale.
This is telling me I could make a full-coloured and flavoured beer in the mold of an IPA with an alcohol content below 2%? Include me in! The day after I got home from the conference, I got my brew on. My original plan involved a couple of recipes I had on hand: Beerie Smalls, a NE IPA clone. Already at a sessionable strength, the recipe includes 8 lbs of Rahr 2-row, 1.5 lbs Munich 10L and 12 oz of flaked oats, along with an utterly ludicrous amount of hops, most of them in hop stands, and the balance split between primary and secondary fermentation. I had two of these, and my plan was to do a sort-of parti-gyle thingy where I made one with the N-E mash, and the second with the grains added back for a crazy Imperial version. That went awry, but it’s back on the menu in the future. Here’s what I did the first time out.
Step One: Soak Grains in Water
Usually I assemble all of my brewing gear and ingredients, then sanitise All The Things, then start. Since I was going to soak the grains overnight, I started there. I ran tap water until it was as cold as it gets (around 55F this time of year) and adjusted it to 100 PPM of chloride and 150 PPM of sulphate, for a more Northeastern juicy profile. I poured 20 litres (5.25-US gallons) into a sanitised bucket that had a grain bag and all of my crushed grains in it, stirred the beans out of it, popped the lid on and left it sitting.
Next morning I assembled my brewing gear, sanitised everything I could lift, and laid out my hops (there was a lot of them). I went with my Grainfather for this brew. I have a bunch of different rigs for brewing, but I had a lot of other things to attend to during the day, and the Grainfather is a pretty forgiving setup: it never runs out of gas, holds the temperature when you forget to look at it because your busy, and best of all you can use it indoors, where you’re working.
The first thing I noticed about the bucket of grains was how dark and rich the liquid in the mash looked, and how much fine material had settled out.
I got busy, pulled and squeezed the grain bag and cold-sparged into the bucket.
Here’s where I made a technical error that would have been prevented by 90 seconds of search time or a less impulsive personality. After pouring the hazy goop into the Grainfather . . .
I noticed that the bottom of the bucket had a lot of stuff in it. “Hmm”, I thought to myself, “That stuff is probably good things that need to go into the wort for when it goes through mashing temperature!”
Yeah, no. I set the controller to ramp up to 152F to hit my mash temp and left to do some errands. This is the beauty of this setup: no danger in leaving it unattended during the mash, because it will take care of itself. The bad news is, when I got back, the temperature was just over 100F and the breaker had popped on the unit. I popped it back on, and it promptly clicked off again. Any electrician will tell you that if a breaker pops right back after you reset it, you have an issue that can’t be dealt with my tying the breaker down with duct tape or a bungee cord.
I realised that this situation was why the unit has a breaker in the first place: material had built up on the bottom and was preventing heat from transferring into the rest of the wort. It was scorching, in fact, and that was tripping the breaker. I decanted the wort out of the unit, and sure enough:
Well, phoo. Obviously those fines were like flour and cooked onto the bottom like library paste. I let the bucket settle for a half hour and wound up with this:
I racked the settled wort back into the Grainfather, re-set the program, mashed the liquid to 152F, punched the afterburners and boiled for an hour. At flame-out there were hop additions, and after the wort dropped to 180F, more hop additions. Seriously, there were ridiculous hop additions. Luckily, I had used my favourite Grainfather trick, slipping a Titan False Bottom into the unit before the wort went in. After a proper rest for the hops, I ran it off as chilly as possible.
You may ask why I didn’t just do the soak in the Grainfather if the false bottom is so great? Those fines would have clogged it up like crazy: it holds back hop particles and delivers a beautifully clear wort, but gums straight up with floury grain particles.
I checked my SG in the carboy.
Corrected for temperature, that’s an SG of 1.024. With the Beerie Smalls grain bill and my usual efficiency I would have expected an SG in the range of 1.047–1.049. If the beer ferments down to 1.010 (the usual, again) I’m going to wind up with a beer just under 2% ABV!
If it retains the grain/malt character, this could be terrifically interesting. I’m even having trouble wrapping my head around it. I pitched a stonkin’ great culture of yeast and let ‘er rip.
Less than two hours later I had a great krausen going, and by the next morning the foam on top was solid as a rock.
I wish you could smell it: it’s so insanely peachy-fruity-juicy and lush I can barely stand it. My only concern is that this particular style of beer might have too much bitterness for the relatively low level of sweetness in this beer–we’ll just have to see.
Best Laid Plans
As for my plan of making a second Beerie Smalls clone and lumping the spent N-E mash grain into it, I wound up burning so much time fiddling with the breaker on the Grainfather and cleaning it, racking off the fines, etc. I didn’t have time to make a second batch.
HOWEVER, I do have two batches of a relatively low-gravity Oatmeal Stout recipe right at hand. Not only does it have a starting gravity of 1.042, it also has a fairly low hop rate. I’m going to run this again, and make a session Oatmeal Stout and an Imperial, all out of two recipes!
I’ll throw in a quick update on this beer when I rack it in a day or so (and add more hops!) and if you’re in the Vancouver area, I’ll be bringing it to the next Vanbrewers meeting and to the Tri-Cities Brew Club as well.
As Winter rolls in my interest in ice-cold beer, well-chilled white wine or slushy blender drinks wanes. To be sure, I’m lucky enough to live in Canada’s Riviera, where it snows only half as much as cities only a few kilometers away and we average much warmer temperatures than most places in Canada. But winters round here have a humid chill that goes straight to your bones.
Our winter cold is hard to explain to someone from Alberta, Saskatchewan or Quebec. They don’t really understand cold. After all, they get huge amounts of snow, and temperatures that get so cold exposed flesh will freeze in only moments, so they think their weather is much sterner. But they experience a dry cold: dress well, in insulated layers and throw on a toque, gloves and good boots and you’re going to be toasty. The same layers will leave you chilled and miserable on the Pacific, as the damp, icy tendrils of the monstrous ocean cold permeate your very flesh, leaving your skin blue and pallid, and your spirit weak and trembling.
It’s the same with boastful winter drivers from much colder climates. “Hah!” they snort, “People from Vancouver can’t drive in the snow.” Then they try it, and in only seconds they realize that it’s not their snow, crisp, dry and crunchy, able to pack down and supply some friction for driving. No, it’s a layer of wet, compacted ice, topped with slush and a layer of water that has as much friction as a teflon pan full of WD40, and off into the ditch they go in a tangled mess of snow, dinged fenders, and hubris.
What to do? Aside from denning until the spring thaw, or lurking in a hot bath for four months, there has to be a way to get warm in the chill of winter. The answer just might be a steaming mug, delicious and warming—a hot drink. Being as I’m a confirmed wine guy, I like a good winter drink based on mulled red wine, but there are others to consider. But where to start? At the beginning, of course.
Hot Drinks in History
Hot Drinks are not a recent innovation. In fact, cold drinks are the newcomer, with hot drinks the relative norm up until the 20th century and the advent of refrigeration technology. With the majority of North America’s immigrants hailing from Europe and Great Britain, they brought with them their recipes for chasing away the chilly, rainy climates at home.
Because central heating is another relative newcomer, every pub used to have a fireplace with a large hearth, where customers could gather and warm themselves. Propped in the fire were a number of poker-like irons, or ‘loggerheads’. These were used to heat up drinks served by the publican. They were literally dipped, red-hot, into the customers’ drink right at the table, not only heating them, but frothing them to a vigorous boil!
(A funny aside: our phrase, ‘coming to loggerheads’ or ‘at loggerheads’ has to do with arguments in pubs. Customers wrangling important issues over a few hot drinks sometimes took advantage of the length and weight of the sturdy irons to make more pointed comments to their fellows. A modern establishment should probably avoid leaving a supply of pokers around!)
Coffee Drinks, Toddies, Nogs, and Mulled Wine
Hot drinks can roughly be divided into coffee drinks, Toddies, Nogs and mulled wine.
Coffee drinks have wide acceptance everywhere, but they’re really just coffee and booze–I can drink that anytime, but don’t find it particularly warming. Maybe it’s because I drink an awful lot of coffee anyway, to keep my central nervous system functioning. Whatever the reason, I rarely want a coffee drink with alcohol in it. Too confusing for my alertness response.
Hot Toddies are mixtures of spices, honey (or sugar) and spirits, warmed with boiling water. The classic is brandy or whiskey with a lemon slice, a cinnamon stick and honey, and is deemed very good for a sore throat. Hot buttered rum is enhanced by a pat of butter, and daring mixologists even use top-shelf tequila with a bit of honey and a lime slice for avant-garde hot drink. Again, however, I don’t associate heating a cocktail with warming up my insides, so not really a fan.
Nog used to refer to a drink made from strong ale and eggs, frothed and heated with a loggerhead. Not many people want an egg in their suds these days, so commonly Egg Nog is a mixture of eggs, rum, cream, sugar and nutmeg, served cold. But it doesn’t have to be: hot Egg Nog is a richly satisfying drink, whether made with brandy or rum, and pre-packaged Egg Nog is available in season, so you don’t have to make your own–although you should, because it’s always better.
A note on the weird-looking twin-handled pot above. It’s for posset, which is an English drink that’s closer to a hot sherry custard than a Nog. Some even had a burnt sugar crust on them, much like a creme brûlée.
Glogg is the Scandinavian word for mulled wine, and is derived from the German word, Glühwein, ‘Glow-Wine’. I usually call my mulled wine by either of these terms because I think they’re more romantic-sounding.
Made from sugar, cinnamon, water, orange and cloves boiled together with wine Glogg is very popular with European ski fans. Not only is it warming and restorative, it also has a moderate alcohol content—a good thing for the active crowd, but a property lost on a winter sloth like me.
Mulled wine can also be punched up a bit, with the substitution of Cointreau for the orange, and/or Port wine for regular red wine. Another winter alternative is mulled cider, or mulled apple juice: brown sugar, cinnamon, orange and rum come together to make a smell reminiscent of hot apple pie, a wonderfully appetising aroma when the frost is on the leaves.
1/2 cup water
1/2 cup sugar
2 whole cloves
2 cinnamon sticks
1 bottle of red table wine- Merlot, Cabernet or anything else sturdy and rich. I suggest making your own–check this out.
Mix water, sugar, cinnamon, cloves and the juice of the orange together in a heavy pot. Bring to a boil, turn down and simmer for 15 minutes. Add the orange peel and the wine, bring back to a boil and serve immediately in pre-heated mugs. This mixture can be kept warm in a crockpot, or on a coffee warmer (covered) for several hours, and can be successfully reheated the next day.
If, like me, you’re a fan of the 1951 Alistar Sim version of A Christmas Carol, you’ll recall when Scrooge tells a suddenly relieved Bob Cratchit that they’ll discuss it ‘over a bowl of smoking Bishop’. Far from a cannibal barbecue, Bishop was one of the code-words for drink used in the 19th century–Dickens knew his drink. The ‘Pope’ recipe used burgundy, ‘Archbishop’ claret (what we call Bordeaux), the ‘Cardinal’ was champagne and Smoking Bishop used port, and was a clove and orange-infused port punch, warmed and mulled with baking spices and another dose of red wine
The recipe takes a few steps, and is suitable for a big gathering. From Punchdrink
750 ml port
750 ml red wine
1 cup water
1/2 cup brown sugar
1/4 teaspoon ginger, freshly grated
1/4 teaspoon allspice, ground
1/4 teaspoon nutmeg, freshly grated
20 cloves, whole
Garnish: clove-studded orange slice
Preheat oven to 350 degrees.
Wash and dry oranges. Pierce and stud each orange with five cloves.
Place oranges in a baking dish and roast until lightly browned all over, 60-90 minutes.
Add port, wine, water, sugar and spices to a saucepan, and simmer over low heat.
Slice oranges in half and squeeze juice into the wine and port mixture.
Serve in a punch bowl, and ladle into individual glasses.
Now I’ve got to plan a party where I can try this out on some unsuspecting Scrooges.
Oh dear, it’s started snowing again. Good thing I’ve got a crockpot full of Glühwein to keep me warm. Now where’s my nightshirt and cap?
Wine is my first love, my business, my hobby and my avocation. I’m the man I am today because of a single sip of wine that sent me on a fantastic odyssey of learning, both about grapes, vineyards, winemaking and wine, and about how to write about it, think about it and how to parse the culture and fellowship of wine into my life, and share it with others.
But I also love beer, and I pursue it with as much passion as I do my winemaking. Aside from all-grain brewing and messing about with professional brewers and hanging out in brew clubs, I’m also part of the Tri-Cities Cask Festival Society. We organise beer festivals that are structured around traditional cask-style beers.
What is Cask Beer?
Simply put, cask beer is beer, but it’s beer from another time. Almost all modern beer, whether served in a bottle or on draft, is carefully filtered to remove solids and to make it sparklingly clear, and then carbonated with an addition of CO2 gas to make it fizzy.
Cask beer, by contrast, isn’t filtered: all of the stuff that gives beer body, flavour, aroma and distinct character is left in. In addition to that, cask beer is naturally carbonated–when it goes into the keg it’s primed with a little extra fermentable material and then sealed up. The live yeast in the beer (which we didn’t filter out) eats the fermentable sugars and produces carbon dioxide, which gives the beer a smooth, luscious and creamy mouth-feel, without any of the prickly or ‘scrubby’ character of artificially carbonated beers.
Cask beer is different from standard draft beer, which is kept very cold, and pushed out of the keg under gas pressure, to keep the fizziness high. In a much gentler method, casks are carefully vented and then tapped, and the beer is allowed to flow with great gentleness into the glass–no gas pushing and no numb, ice-cold fizziness, just flavourful, delicious beer nirvana!
This means that cask beer doesn’t last: once you tap a cask it typically goes flat and loses character within a day or so. That means most bars and pubs can only serve it at events or special occasions, and then only one or two casks. That’s why cask festivals are awesome: you get to try 10, 15, 20 or even more cask beers at a time (small samples if you’re trying 20!)
Our latest festival was at the Burrard Public House in Port Moody. We not only had cask beers, but also cask-beer based cocktails, great food and a crowd of over 175 people tasting more than 20 wonderful beers. The best part for me? Tapping kegs.
We had our usual crew of volunteers, who did a fabulous job–they’re all amazing hard workers who put in a lot of effort and time. Without them, we wouldn’t have a festival at all, and I’m constantly impressed with their dedication and hard work.
We also partner with CAMRA Vancouver, who have the Safe Ride Home program that lets cask enthusiasts enjoy the festival, and then take transit home, all for the same ticket price. They’re a great part of every festival.
The TCCFS executive is there as well. It’s a little nail-biting getting everything organised and set up, but once it’s done we’re pretty happy to let it unfold.
But the festival is all about the people who come, and at every single festival I have yet to see someone who isn’t having a great time. The only disappointed people are the ones who couldn’t get tickets!
If this looks like the kind of thing you’d like to try out, you’re in luck: we’re holding another festival on January 22nd, at the Executive Plaza in Coquitlam. It’s a Pro-Am competition, the only one of its kind in Canada, and will feature local brewing clubs making beer under the license of their community craft brewery, and competing againts all the other casks, professional and amateur, for the title of Best Beer!
Check it out and get tickets here: Tri-Cities Pro-Am Cask Festival. They’re $49.00 and come with ten tasters, a souvenir glass, and you even get a burger and a trip through the custom poutine bar!
I don’t always drink wine. Or even beer. I don’t even drink whisky every day, come to think of it. I don’t like soda pop for the most part, and I drink about two quarts of milk per calendar year. There are only two beverages I consume on a daily basis: water, of course, since I am a squishy bag of mostly water by design, and coffee, because it is delicious brain juice that lets me function in society.
I started drinking coffee quite young. In retrospect, being in the single digit range for birthdays was probably a little on the youthful side for drinking caffeinated beverages, but if you believe the Coffee Achievers, it was probably the making of me, and there are worse habits.
My taste in coffee has evolved over the years, as has the way I consume it. As a kid I liked it with lots and lots of milk and sugar. I lost my taste for sweets after a while, quit bothering with milk, and started drinking hot, black coffee by the gallon. Keep in mind I was raised by simple prairie folks, and the coffee wasn’t premium or sophisticated. It was pre-ground, canned coffee that was on sale, and made in an automatic drip machine manufactured by a company more known for electric drills and sanders than for food equipment.
A friend of mine once described this beverage as ‘Lutheran Coffee’, after the kind of brew you find in one of those giant percolators in a church basement. I liken it to hot brown coffee-water. After I left home I started buying beans and getting them ground at the store. Then I bought my own grinder, and one of the most perfect coffee making machines ever invented: the Melitta Cone Drip. That worked for years, until I got a bug in my ear about espresso. Then I had several set-ups, refining how I like my coffee with automated espresso makers, stove top units, et cetera.
I keep experimenting with coffee making, but the final frontier for me has been to seize control over roasting my own beans. Coffee is the seed of a cherry-like fruit, and after gathering and processing, it looks like a little green rock with a cleft in it, and it doesn’t taste of anything special. It’s not until you roast it to a rich, chocolatey brown that it releases that heavenly aroma and beguiling flavour.
By this time you should be getting the idea that I never leave well enough alone, and everything in my life is in imminent danger of becoming an obsession. I did some research, fiddled around a bit with primitive methods, including roasting beans over a wood fire in an iron pan like the Ottomans did, but a conversation with a professional coffee roaster made me realise that there was something to having the right piece of equipment for the job: heat ramp-up especially was a thing. There’s a long explanation, but if you heat the beans up too slowly they dry out and lose some of their nuance. Heat ’em up too fast and they just char instead of roasting nicely. A good roasting machine can take that into account. A good machine like the Behmor 1600.
The unit is a masterful design. You can check out the manual here, which is an excellent segue: always read the instructions. With some things, like an ice-cube tray, the stakes are low. If you do it wrong, worst-case, you don’t get ice cubes. Because this machine is using high heat to dry out and subsequently roast cellulosic vegetable matter saturated with oil (coffee), if you overdo it, it can catch fire. Which is bad.
If you’re going to get a roaster, read and pay close attention to those instructions. They’ll make sure you stay safe and that you get a decent cup of coffee from the first try. After that, you can start fiddling around with the time, ramp-ups, drum speed and all that jazz. But start with the basics. To show you those basics, have a look at this overview of roasting basics that I put together in my kitchen.
The manual may be a little intimidating at first, but as you can see, it isn’t rocket surgery: Follow the instructions, don’t leave the Roaster unattended while it’s on, and learn to recognise the difference between first and second crack and you’re in.
If you’re curious about the coffee making rig shown at the end of the video, it’s an Aeropress, and it’s what I use to make an excellent–just about the best, really–cup of hot coffee I’ve ever had.
But what if you want a bigger thrill? What if you want the ultimate in coffee deliciousness? What if you want . . . this
Cold-brewed coffee is the hottest-cold thing to show up in coffee use in the last ten years. You get flavour extraction by trading the heat of the water for time. Rather than a three or four minute steep with water around 200F (your mileage may vary) you use tepid water and soak overnight, or for 24 hours. This slow, gentle extraction leaves behind a lot of the harsh tannins, while teasing out the smooth, rich flavours that make coffee so wonderfully good.
And Nitrogen dispense is what has made Guinness Stout so popular. Forcing your cold-brewed coffee through a Stout Faucet with medium-pressure nitrogen gives it that creamy, foamy ‘cascade’ of flavour goodness. Honestly, it makes coffee wickedly drinkable, to the point where I have to monitor my intake or I’ll wind up dancing around like wacky waving inflatable arm flailing tube man.
Previously, if you wanted to do nitrogen dispensing at home, you needed a full-on setup, with a keg refrigerator (standard homebrew kegs are not fridge-friendly: they crowd out the pot roast), a nitrogen tank, special regulator, and a bunch of other bits and bobs. Not a stretch if your life includes that kind of thing as a hobby, but a bit of a stretch for your average coffee fan.
Pop the tap and the regulator off of it and the whole keg fits onto a shelf in a standard fridge, ready to dispense your coffee at any time. (Don’t tell anyone I told you, but it’ll also dispense Wine like a champ).
Second, check out that regulator, with the attached nitrogen cylinder. You don’t need to buy the full-meal-deal nitrogen tank, regulator et cetera, you just screw in a cylinder of nitrogen gas, pop it on the keg and dial up your pour. You can even take the Cannonball keg with you to parties or the back yard, or wherever. This is a brilliant enabler of coffee usage.
Check out how I do it.
I’ve nearly got the whole coffee thing handled. Five, six more years at most and I’ll have my system perfected.
I’ve been incredibly busy with my Master Vintner project–have a look at some of the things we’ve got going on over here–making wine, tasting wine, talking about wine, and generally loving the whole Master Vintner concept.
In all my time in the consumer wine kit business I wanted to make a kit that I was completely responsible for, not so much because I’m a shiny-eyed control freak, but because I wanted to share something where everything was done exactly the way I wanted it, at each step. I get to do that now, and it’s a rare privilege in business to make something this good, and then to see people making the kits and loving them.
But, I do have other interests–cooking, gardening, photography, travel, motorcycles, hunting, shooting, hiking, reading and generally messing around learning stuff, and, as it happens, suddenly going into deep geek mode when something catches my imagination (I have been accused of having ‘Attention Surplus Disorder’).
Which leads me to one of my latest offshoots: I was doing research on the Charmat Method, a process for making sparkling wine in pressure tanks, rather than carbonating in the bottle. It’s an interesting compromise: force carbonating, like the way they get the fizz into most mass-market beers, leaves large bubbles that are described as ‘coarse’, but it’s very inexpensive to do. Bottle conditioning is the traditional method for making champagne, and it uses a dose of sugar and yeast inside a sealed bottle to produce carbon dioxide in situ. That makes for fine, creamy bubbles, but it’s expensive and time-consuming. Do the conditioning in a tank and bottle it from there the theory goes, and you’ve got a decent product at a reasonable price.
The thing is, letting yeast have their way with sugar in a sealed vessel is tricky. Most homebrewers have had, or been present for a ‘bottle-bomb‘, where the carbonation was so high that either the bottle gushed foam like a fountain as soon as it was opened, pouring out until it was empty, or it actually exploded right where it was sitting. Glass is not a flawless choice for pressure applications.
Stainless steel tanks are pretty good, but past a certain point, unless they’re built like scuba tanks, they’re nearly as dangerous as a bottle bomb going off. What you need is a pressure relief valve that you can set accurately to hold in the amount of pressure you want, but will vent anything past that. Sounds easy, and it is, if you’re a gas-fitter or a millwright, but for home beverage applications those things aren’t just lying around.
Except all the bits are there, right in front of you, if you speak German.
A Spundapparat is a pressure relief valve used in the process of krausening (those wacky Germans, it’s like they have a word for everything!). Krausening is exactly the same process as the Charmat method, but more German and less French. Tootling around on the internets gave me a good idea of what the deal was: while the classic use was krausening, spunding valves are also used to ferment beer under pressure, allowing beers to finish faster while producing fewer off flavours and undesirable characters.
I didn’t have any appropriate candidate wine for a Charmat process on hand, but I did have access to a sample of WLP 925 High Pressure yeast, designed to be fermented at 14 PSI, and the ingredients for a Pre-Prohibition Pilsner on hand (didn’t know I made beer? Well, it’s yet another hobby . . .)
A beer? A pressure yeast? An interesting apparatus to play with? What ho! In geek heaven, I hatched a plan and immediately launched it!
And then I immediately stopped because the parts I needed for the spunding assembly wouldn’t arrive for a couple of weeks. Poo. I put out a call to my brewer friends and one of them came through for me. Nathaniel lent me his spunding rig, which he used for transferring beers in his solera (it has to do with soured beers, a fad I’m hopeful will soon go away). His rig lacked a proper pressure gauge, but it wouldn’t be mission-critical in this application–the pressures were pretty low and I could fiddle around a bit.
Here’s his rig, and a tricksy little blow-off hose I rigged up. I’ll explain that in a second.
Attached to my blow-off keg (see below).
Here’s why the funny transfer hose: the grey disconnect is a gas-in connector. The black is a product-out connector. Product-out posts on the kegs have a stainless steel tube that runs to the bottom of the keg, allowing the liquid inside (wine or beer) to flow upwards, through the tap, into your glass, while the gas-in posts end right at the top of the keg. Makes sense, right?
I got a second keg, and set the whole thing up as a blow-off vessel. The very cool and complicated keg on the left is a Big Mouth™ Modular 5 Gallon Keg. Not only does it go from 1-gallon to 5 gallons with a few turns of a wrench, but also it has a port on top that allows you to hang an oak stave from (and retrieve it at will!) or a dry hop bag to flavour your beer. It’s my favoritest thing right now.
In case any foam-up during fermentation would flow through the gas port and travel down the product port in the smaller keg. Both kegs were sealed and purged, the spunding valve set at 14 PSI and the yeast was pitched.
It worked like a charm. The beer fermented dry in five days, and I heard the faintest of muttering from the valve as it uh, passed gas. I moved it to my keezer (keg refrigerator made from a converted deep freeze) to drop the yeast and chill down. The beer is quite good, but the yeast is non-flocculent (it doesn’t want to settle down). It’s not a huge flaw, but next time I’ll filter it to make it shiny and bright.
Now I had all sorts of ideas. My last round of winemaking with my Winemaker’s Reserve kits had me kegging a lot of them, in accordance with Vandergrift’s Second Principle of Winemaking (A winemaker’s desire to bottle wines is in inverse proportion to the number of bottles they have filled in their lifetime). In fact, I had a few kegs in the back of my car . . .
I wanted to do a pressure transfer of wine from one of my 10 US-gallon (38 litre) kegs to my awesomely excellent Master Vintner® Cannonball® Wine Keg System and the spunding rig would allow me to do a transfer under nitrogen gas, slowly and carefully. All I had to do was rig up a product-product transfer hose, attach a gas line between the big keg and the Cannonball, attach the spundapparatus to the Cannonball gas out, and then slowly dial back the spunding pressure and it would transfer meek as a mouse.
But I wanted a more accurate pressure gauge. the little direct rig was fine, as far as it goes, but I didn’t really trust it to be accurate. Fortunately, by now all of my parts had arrived, and I put my own special rig together.
It worked like a charm! Not only did I transfer wine from one container under inert gas to another, but also I did it without racking or pumping. A professional brewer or winemaker would be rolling their eyes at this point, as both of these are standard operations in the industry, but for a home winemaker it’s a pretty cool step, and it only cost around 25 bucks plus some Teflon tape.
What’s next for my little rig? I think it’s time to grab a Winemaker’s Reserve Pinot Grigio and do a Charmat-process sparkling wine–with good management and a little work I should have it ready to drink by the holiday season this year!
Unless, of course, I get distracted and do something even weirder in the meantime. I’ve been meaning to make a high-gravity Belgian beer with Muscat grape juice in it . . .
It’s been a long radio silence from me for reasons varied and sundry, the principle of which is that I’ve been rascally busy for the last two months, with matters professional and personal. I know that professional technically includes ‘keeping my blog updated’, but that’s one of those important-but-not-urgent things that gets pushed back enough that it sometimes disappears altogether.
Part of my occupation was my community garden plot. We’ve had an extraordinarily good spring and summer–come to think of it, we basically skipped winter as well, with a long, warm period extending from November through to the middle of April, when suddenly it was summer–no spring, no tentative sprouting of plants, just a drop-kick right into full-on heat and sunshine.
This is a pretty big contrast to past years when we were joking about ‘Juneuary’, and bemoaning the endless grey rains, conveniently forgetting the fact that we choose to live in an actual rainforest. Normally I’d plant my garden on the May long weekend (the Monday before May 25th) but this year I had a lot of work to do and got it in on the last week of April.
Part of the work was building five new boxes. I have a community garden located on the site of a reclaimed marsh. While it may have been fertile one hundred years ago, the soil is pretty much hardpan clay, with a few inches of topsoil to cover. For a decade I rototilled, added sand, peat moss, compost and other amendments, but the soil quickly ate that up and returned to its peevish ways.
Two years ago I gave up and built some garden boxes. I make them deeper than is usual, and it seemed to work out really well–the results have been beyond what I could have expected. I expanded from three big boxes and three smaller ones, adding four big boxes and one broad but shallow one for vines like zucchini and squash.
It was quite a bit of work, between pounding stakes, screwing boxes together and then filling them, wheelbarrow by back-breaking wheelbarrow with soil. As I usually claim, I’m in it for the fresh air and exercise: tasty vegetables are just a by-product. But what a by-product! Between top-quality soil and an early, hot and extended growing season, things have been going crazy.
Unfortunately, the garden is a bit disruptive: it’s on an old farm site, but it borders a nesting sanctuary and a marsh. As such, there are marshy-type creatures there, including some that love fresh garden produce. The worst are beavers: you wouldn’t believe the damage a couple of beavers can do to a garden in only a few hours, especially to grape vines (I’ve lost four over the years) and fruit trees–a decade of growing and poof! It’s part of a dam.
When the beavers get bad, the wildlife service comes and hauls them away, relocating them. One doesn’t bother beavers without the help of a professional. First, they’re protected and only licensed hunters and trappers can harvest beavers. Second, they’re incredibly dangerous, and routinely kill people who try to interfere with them.
Beavers aren’t the worst, though, as they’re a once in a while animal. I save most of my ire for rats. Sadly, it’s my fault they’re trouble. If you think about it, the average rat is a timid riverbank rodent eating seeds and the occasional bird’s egg. Plunk down eighty or a hundred garden plots next to that riparian paradise and all the rats see is about a trillion calories of easy-to-get deliciousness. They multiply out of proportion to the natural landscape and start raiding. This year I finally took action, netting my corn and setting traps for them. While it worked, I’m not happy with having to murder rodents whose only crime was to recognise an easy meal. Thus is ever the life of an ethical omnivore.
Aside from the garden, I’ve been busy other ways. The building next to me (as in, right up against my suite) burnt to the ground.
That was exciting, especially the part where the flames shot up over the garden wall and incinerated my magnolia tree.
Sheesh. Not something you want to see out your bedroom window.
This year I did a day long boot camp seminar, teaching a class full of people advanced techniques for making wine, demo’ing equipment and doing things like post-fermentation elevage, as well as four other lectures, an author’s round table, and a couple more.
Those people at Winemaker beat me like the family mule sometimes.
Fortunately there was time to hang out with old friends, enjoy a few noshes
Winemaker was fun, if a bit of a whirlwind. It was really nice to catch up with my pal Wes Hagen. We just don’t get to see each other often enough. As a consequence, we tend to act like ninnies when we do, which is always fun.
After Winemaker it was time to gear up for the AHA national conference in San Diego. I’ve wanted to go to an AHA conference for at least 20 years, but always had some corporate drudgery that made it impossible to attend. This year I went under the auspices of my good friends at Northern Brewer, which got me in everywhere and helped me make some new friends.
Not only did I get to hang out at the NB booth, I got to do some backstagey stuff, like drink a whole keg of Russian Imperial Stout at an afterparty, plus hang out with a thousand-odd homebrewers and taste some of the best dang beers in the whole world, all in one convenient place.
As part of the trip I rented a car and drove down the Pacific Coast Highway. If you’ve never done this, I highly recommend it. It’s the most beautiful drive you can imagine–and just when you think it can’t possibly get any more gorgeous, it does.
I even got in a little whale-watching, when I decided to pull over for the first time in 2 hours and picked the only spot on the coast with a deceased mammal washed up.
I also made my traditional stop at the Tonga Room. It’s the finest Tiki Bar on earth, located in the basement of the Fairmont Hotel in San Francisco. There’s something about a restaurant that serves drinks the size of punchbowls, and has a boat floating in the middle of the room, the better to facilitate the occasional indoor rainstorm.
Returning home, I had a load of projects to get to. First up, a 4th of July barbecue. No, not grilling: a real barbecue.
Also, there was a seafood boil.
I was also part of the Tri-Cities Cask Festival, and we really had a great time doing our first beers-from-outside-of-Vancouver-city tasting. I was media man, but managed to get in on the keg tapping action (note: all pictures courtesy of Vancouver Photoworks).
I did a little brewing as well, trying to keep my skills sharp.
Let’s see, what else have I been doing . . . oh yes, I conducted a Scotch tasting.
Made some epic sandwiches . . .
Spent some time with my now very old gentleman cat.
And I worked on my winemaking.
Speaking of which, lots of good things coming up in the Master Vintner winemaking world! But this post is long enough with the catching up already. Tune in soon yet more will be revealed.