The Winemaker Magazine conference for 2016 is in Santa Rosa, California. It’s the largest (and best) home winemaking conference in the world. As a columnist for Winemaker, I’ll be there as a speaker and panelist, giving lectures, answering questions, and hanging out with my wine making people.
Last year’s conference was in Portland, Oregon, and was a blast. I’m looking forward to seeing my good friends.
And some of my more sinister accomplices . . .
It’s a little too late to pick up tickets, but if you’d like to live vicariously, you can check out the conference schedule here, and you can follow my live conference updates on Twitter @Wine_Guy_Tim and on Facebook and look for the conference hashtag . . . when I find out what it is. #winemagconf2016 sounds good!
If you’re already booked and coming to the conference, I’ll see you there! You’ll recognise me by my Master Vintner shirt and my delighted grin at getting to hang out in such a gorgeous place, drinking wine with fabulous people.
. . . Del Dotto formally accused Hill Wine of stealing the first batch of grapes and sought repayment of nearly $42,000 it had paid for vineyard management services. Tony Ventura, Del Dotto’s attorney, said in an interview that the grapes it claimed were stolen from Howell Mountain were intended for a wine that his client planned to sell for $195 a bottle. “If you’re going to steal, steal the good stuff,” Mr. Ventura said.
Oy. You have to wonder where this leaves us as wine drinkers, and as wine makers. In my opinion, first and foremost we should not seek out wine that relies on charm or exclusivity to sell itself. There are almost no wines in the world that cost more that $75 a bottle to put into the market. Prices much beyond that either indicate fanatical dedication to lowered yields, insane pick-over strategies, 100% new barrels every year and other, equally ridiculous levels of attention to detail and quality. That covers maybe half a dozen vineyards on earth. The rest can come in cheaper.
When they come in at vastly higher prices you’re either living in a crazy-high alcohol tax zone or the winery is relying on non-quantifiable (and thus cost-free) gimmicks to push their product. From the NYT article,
“Most Napa wines to me are way overpriced,” said Tony Westfall, co-founder and chief executive of Invino, an online wine seller based in Sonoma. “A lot of people would say Lake County is just as good as or better terroir than Napa.”
To persuade someone to spend $30, $50 or $100 for a bottle of wine, wineries need to not just produce quality juice, but also build an emotional connection with the customer.
While I feel that all wine should be experiential, that we should drink in places we love, with people we cherish, and for reasons of celebration, I have enough emotional connections in my life that I don’t need one with a winery. I’d rather get honestly-made, fairly-priced wine–and I’d also like to get what I paid for, not the disarming charm of con artists.
Now if anybody needs me, I’ll be making my own wine–and I know exactly where those grapes came from.
I’m heading to Virginia next week for the Winemaker Magazine 2014 conference, June 5-7 at the fabulous Lansdowne Resort in DC’s ‘Wine Country’. I haven’t missed a conference since the very first, in Monterey back in 2008. I love the Winemaker conference: even though I have to work during the conference I get a chance to meet old friends, find out how their wines are coming along, see how they’re doing and generally catch up with a great bunch of people. In all these years I haven’t met one winemaker I wouldn’t be happy to have as a guest in my house. I think there’s something about taking winemaking seriously that self-selects for thoughtful, happy folks.
This is going to be an especially cool year. I’m teaching a one-day Winemaking Boot Camp. It’s going to be an intensive one-day course with a lot of hands-on trials of advanced equipment, for bottling, transferring, processing and testing. It was a bit of a scramble pulling it all together since my previous corporate sponsor is no longer involved with the conference, but with the help of some friends (more on that soon) and the understanding and largesse of Winemaker Magazine (thanks Brad!) I think I’ve put together a really outstanding program.
The really cool part is going to be on post-fermentation correction of wine character. This is the secret stuff that in my former life I was obligated to discourage, since it wasn’t part of the program for our products–the companies stances have always been that wines made from kits should be considered complete in themselves. While this is technically true, that still leaves an awful lot of room for tweaking kits, especially now that the toolbox and palette of professional winemakers is now available to retail consumers! It’s going to be a ton of fun!
Well, if I get that case of wine across the border, that is . . . hmm.
You can follow me on Facebook and Twitter for ongoing updates ( #WineMagConf) from on the ground.
Also, as always bookmark this page and check back: good news is always just around the corner!